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Crowning Stories – A Coronation Blog

As the coronation of King Charles III approaches, books on the shelves of the Library of Innerpeffray have revealed some fascinating details of past coronations in the United Kingdom and Europe. Part of the library’s current exhibition demonstrates that ‘there is nothing new’ in the modern world, that ideas, sayings and practices that seem unique or revolutionary in the present day are often just a reinvention of the past. In some ways the same could be said of the coronations of our country’s sovereigns. As time has passed, some of the arrangements and customs have remained fixed and some have altered, either by legislative changes or by innovation. But the essentials have stayed the same. 

For hundreds of years the church and the Christian tradition have been involved at the heart of the coronation service. When the current Archbishop of Canterbury steps forward to crown King Charles III he will be following in the footsteps of his predecessors, following an age old form of words and actions. But the person who preaches the coronation sermon will have the opportunity to do something unique, to deliver a homily which represents present day circumstances and sensibilities to a sovereign who must serve his country in a multicultural world. 

In the past the sermon has only had to reflect a Christian perspective and at the coronation of King George III in September 1761 a Bishop who had a very special connection to the Library of Innerpeffray, Robert Hay Drummond (RHD), delivered it. RHD was the great-nephew of David Drummond, the 3rd Lord Madertie and founder of the Library of Innerpeffray. RHD inherited responsibility for the library and adjoining school in 1739 and did much to augment and extend the book stock. He also raised the funds to build the beautiful neo-classical building in which the library is still housed. 

Image reproduced under a creative commons licence by courtesy of the National Gallery, London. Engraving at Innerpeffray Library

So, how did RHD come to preach the sermon at the coronation of George III? Possibly, as the result of the influence of royal patronage. He had come to the attention of Queen Caroline (the wife of George II) whilst he was acting in a play at Westminster School and some years after she influenced his appointment, at the relatively young age of 25, to the royal chaplaincy. She remained his patroness for the rest of her life. RHD accompanied George II whilst the king was on campaign in Europe and preached a sermon for him.

He continued to advance within the church spending time in the bishoprics of St.Asaph and Sarum (Salisbury.) In 1761, whilst he was the Archbishop-elect for York, he was chosen to preach the coronation sermon.

He chose an Old Testament verse (I Kings, X.9) as the basis of the sermon – ‘because the Lord loved Israel for ever, therefore made he thee king, to do justice and judgement.’ The sermon was described as being ‘sensible and spirited and free from fulsome panegyric’, dignified in style and delivered in well-chosen language. In reading the sermon it is very clear that RHD presented his advice to the king in two main arguments that he described as truths: –

  1. ‘That when great and good kings reign, they are the means by which God blesses his people,’ and
  2. ‘That the duty and the end of royalty is to do justice and judgement.’

The sermon uses other biblical texts to illustrate his arguments and he sets out various ideas on how the sovereign can lead by example; influence society for the common good, peace and happiness; be mindful of the people’s affection for the previous monarch and his achievements; accept any personal suffering he may face in the course of his duty and service to the country and utilise general knowledge and science as well as religion in reaching his decisions. If he followed these directions, RHD opined, the country would be blessed with citizens who had a respect for the law and who showed a ‘cheerful obedience’ to government. RHD also exhorted the people to be loyal and supportive of the new king in the pursuit of ‘pure religion’, virtue, just government and liberty. Regardless of individual belief or religious practise, some readers might consider that the sermon would produce a good template for life today and it is possible to see many facets of the reign of the late Queen Elizabeth II through this lens. Once again, some aspects of life change very little over time.

Some time after the coronation in 1761 the King ordered that the sermon should be published and the Library of Innerpeffray holds a copy of it in a book of RHD’s sermons. The following image is taken from that book.

A sermon preached at the coronation of King George III. : and Queen Charlotte, in the abbey church of Westminster, September 22, 1761. By Robert, Lord Bishop of Sarum. London printed by John Hart, for Charles Bathurst,, 1761

A second book in the library, a compendium of The Scots Magazine, gives a detailed account of the coronation of George III and Queen Charlotte, which took place only two weeks after their marriage. The account mentions the role of RHD and describes a very long day –starting at 9am and finishing after 10pm – which was marred by mishaps and a very prolonged, tiring ceremony. It is reported that one of the jewels fell out of the King’s crown during the day and that it was found after the coronation banquet; but there is no actual evidence of this. Even the weather was covered – a letter reprinted from the London Chronicle of 29 September 1761 tells us that the weather leading up to and following the coronation day was wet and stormy, but the day itself enjoyed ‘…an extraordinary alteration in the weather.’

The Scots Magzine Volume 23, 1761, Edinburgh, W Sands, A Murrary and J Cochrane

But perhaps the most interesting part of the article is a detailed description of the procession from Westminster Hall to Westminster Abbey. The participants were lined up in order and walked to the Abbey, preceded by a herb woman and six maids who scattered herbs on the route ahead of the walkers. The participants were numerous and varied and included Peers and Peeresses of the realm, soldiers, choristers, clerks, masters of the king’s wardrobe and jewels, privy counsellors, knights, heralds, barons and baronesses, aldermen, aristocrats, clergy, sheriffs, senior legal staff, members of the King’s and Queen’s personal staff, senior government officials and the Archbishop of Canterbury. Quite a gathering of the great and the good and the writer describes it as a procession that ‘…far excelled any thing of the kind ever known in this kingdom, or any other part of the world, for grandeur and magnificence…’

Once inside the Abbey the lengthy coronation service began and the article gives a detailed account, outlining the order of service, the participants, the regalia used, the clothing, the chairs of Estate used by the monarch and his consort and the music performed by musicians and choristers. As a piece of reportage it is clear and interesting and gives the reader a real understanding of the proceedings. 

The following photograph shows an extract from the article about the order of the procession. This represents only a proportion of the people who took part- there is another page and a half of detail.

detail from The Scots Magzine Volume 23, 1761, Edinburgh, W Sands, A Murrary and J Cochrane

In reading these books and other accounts it has become clear that many similarities exist between the coronations of the distant and recent past. The UK is the only country in Europe still to carry out a formal coronation of the monarch and his consort and with over a thousand years of history of coronations, in four very different nations, it is perhaps surprising that so many elements of the event are familiar to us today. As has already been said, there is not much in life today that is really new; we are not in uncharted territory where coronations are concerned.

Examples of continuing customs are:

  1. The coronation oath– this is the only legal requirement in the proceedings and it has been amended over the centuries to reflect the changes in our society such as the roles of different churches, the political union of kingdoms, the creation of The Commonwealth etc. But essentially the oath remains a promise to govern according to the laws and customs of all citizens.
  2. The use of Westminster Abbey  – the venue has been used since 1066 (initially only in England) and the upcoming coronation will be the fortieth to be held there.
  3. The Procession – the monarch makes a public procession from his/her place of residence to the abbey. These days the monarch travels by coach rather than on foot but the eye-catching and colourful pageantry remains. 
  4. Regalia – the orb, sceptre, coronation ring and St. Edward’s crown are still used.
  5. The Stone of Destiny forms part of the structure of the throne. This year it will travel from its home in Edinburgh Castle to London for the ceremony but will then return to Scotland.
  6. Holy Oil is used to anoint the monarch using a spoon that has been part of the coronation regalia (in England) for hundreds of years. It survived the destruction of religious artefacts by Oliver Cromwell, though St. Edward’s crown did not. That is a replica.
  7. Music – this forms a centrepiece of the ceremony and new pieces are often commissioned (eight by George III, twelve by Charles III.) Some pieces are a fixture eg Handel’s composition for Zadok the Priest.
  8. Homage is paid to the new sovereign by attendees, though the numbers included in this part of the ceremony vary.
  9. A Court of Claims (now called the Coronation Claims Office) is set up to allow people to apply for official roles in the coronation.
  10. Crowds – the streets are filled with spectators and the abbey is crowded with invited guests and officials. Galleries have been built in the streets, in the abbey and in Westminster Hall in the past to accommodate huge numbers of spectators, guests and participants. 
  11. Public celebrations – military guns are fired, street parties are held, recipes are created (Coronation Chicken, Coronation Quiche), fireworks and/or bonfires are lit.
  12. Reenactments – these days the coronation is replayed on TV and streamed all over the world to allow public involvement in the event whereas in the past plays and re-enactments took place to allow people outside of London to get a flavour of what had happened in the capital.
  13. The State pays for a state occasion. The budget for George III’s coronation was initially estimated to be £9,430 but it has been reported as actually costing anywhere up to £70,000. Overspends in public life reverberate all through history!

So wherever you are on coronation day look out for innovations. They are not always numerous and you will be observing history in the making. Interesting accounts of the coronations of the past remain in books, diaries, print newspapers and journals in libraries and archives all over the world. Indeed we have copies of The Tatler, Picture Post and The Field at Innerpeffray that document royal events of the 20th century, including the coronation of the late Queen. But we live in a digital, fast-changing world and it will be interesting for today’s younger generations to see how much of the coverage of this year’s coronation actually survives.

And finally…….

Footnotes.

  1. What happened to Robert Hay Drummond after the coronation of George III? He served for many years as Archbishop of York and undertook renovations of his palace and the parish church of York. He was a hospitable man, a friend to many and a liberal patron of the arts. He became Lord High Almoner to George III and reformed many abuses of that office whilst also taking part in the proceedings of the House of Lords where he influenced political power as a Whig. Policy changes against the Whigs occurred during the reign of George III and this led RHD to cease attending the House of Lords. He then devoted himself entirely to his archdiocese and the education of his children, particularly with respect to the teaching of history and the love of reading, encouraging a wide range of books. His wife Henrietta (whom he had married in 1749) died in 1773 and RHD never really recovered from the blow, passing away himself in 1776. 
  2. Music played for George III. The 1761 coronation is the only one known where one composer, William Boyce, created almost all of the music. He composed eight new anthems but refused to compose a new setting for Zadok the Priest. He petitioned the king to allow Handel’s original composition to be used and the king agreed. Handel’s wonderful piece has been used ever since. Three full rehearsals of the coronation music took place before the event and tickets to these rehearsals were sold to the public. The scope of the music demanded a huge cast of musicians and choristers, so much so that alterations had to be made to the layout of the abbey and an assistant conductor appointed so that everyone could actually follow the conductor’s instructions.
  3. The Scots Magazine claims to be the oldest magazine in the world that is still being published. Whether or not that is the case, it is certainly one of the world’s best selling Scottish interest magazines. It was first published in 1739 and has had some breaks in publication during its existence. It has been published continuously since 1927 under a series of owners, the current owner being DC Thomson & Co Ltd, the publisher of various famous comics (The Beano, Dandy, The Broons etc) and newspapers and owner of several media sites. One of its most famous editors  from 1759-65 was William Smellie, who was the joint founder of the Royal Society of Edinburgh, a friend of Robert Burns and the editor of the first edition of the Encyclopaedia Britannica.
  4. Charles Bathurst (cited on the title page of RHD’s printed coronation sermon) was a London bookseller. He started his working life as an apprentice printer and worked for Benjamin Motte, whose bookselling and publishing business operated from Middle Temple Gate, Fleet Street, London. Motte published work by Jonathan Swift, initially anonymously at the author’s request and notably Gulliver’s Travels in 1726. Later on, Bathurst and Motte collaborated on other works and printed another book written by Swift, A Complete Collection of Genteel and Ingenious Conversation.

If this has whetted your appetite to look at and/or read some of the treasures held in The Library of Innerpeffray, please take a look at our website which contains details of our collections and opening times for visitors

Some of the collection can only be viewed by prior appointment with The Keeper of Books, Lara Haggerty, so please do check in advance if there is something in particular that you would like to see. We are no longer a lending library, so unfortunately you cannot borrow books.

SW

Sources.

www.commonslibrary.parliament.uk

Dictionary of National Biography

The British Library

The National Portrait Gallery

Exeter Working Papers in the British Book Trade History: the London Book Trade 1735-75, via

www.bookhistory.blogspot.com

Records of London’s Livery Companies online

www.londonroll.org

Wikipedia

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A Little Gem

During the winter months, when the library is closed to the public, there is still a lot of work to be done on the collections. The appropriate storage and care of books is an important part of the library’s work and our volunteers are kept busy with the dusting of the books, checking their shelf positions against the catalogue, identifying necessary repairs to covers and/or pages and cleaning the bookcases. It is an important exercise which is for the most part routine. But it does offer the chance for volunteers to get to know the collections more closely and to study books of particular interest to them. And, from time to time, we rediscover a book that throws a light on events in the modern world through the lens of history.

One such book was discovered shortly after the Supreme Court’s judgement on whether a second referendum on independence could be held in Scotland under legislation passed by the Scottish Parliament. The Court ruled against the arguments made by the Scottish government and, in doing so, brought the public and media spotlight back onto the nature of the Union and the matters that are reserved in law for determination by the UK Parliament. So when the small, nondescript slim brown volume was first taken off the shelf for cleaning little did we know that it would be so topical and pertinent to the current debate.

The book may be small in physical size (smaller than a typical modern paperback,) relatively short at 156 pages, but it is a first edition, has a long and impressive title, a celebrity author and is signed by a famous person. It also forms part of a very important collection of books (the Scotland Collection) which was gifted to the library in 2013 by a wealthy American bibliophile, Janet Burns St.Germain.

The following photographs show the front cover, the spine and the impressive title page.

       The covers are made of calf leather and are tooled in gilt.

Several points of interest can be seen from the title page:

  • The text is about an inquiry into the reasonableness and consequences of a Union with Scotland
  • The book was printed and sold in Paternoster Row in London in 1706 by a ‘publisher’ named Benjamin Bragg. So it was published in the year in which the Treaty of Union was ratified.
  • The name of the author is not included on the title page, but as can be seen from the handwritten note on the opposite page, the author has been identified as William Paterson, a co-founder of the Bank of England.
  • An outline description of the contents of the book has been set out, including a proposed scheme for the Union of the two countries (note that only Scotland is mentioned on the title page, England is not) and a discussion of the relative financial, legal and other ‘facts of moment’.

So, we now know what the book is about and we know the identity of the author but why is William Paterson not identified on the title page? Well, the text is written in the form of a report on the proceedings of and discussions amongst the members of an imaginary club named the ‘Wednesdays Club in Friday Street.’ There is a dedication written under the pseudonym of Lewis Medway, addressed to Laurence Philips, Esq near York and the text that follows is an important attempt to explain the economic consequences of a proposed Union between Scotland and England. The club members discuss various topics about the proposed Union and Lewis Medway 

provides a record of the meeting plus an account of individuals’ opinions and observations.

It can be seen from the dedication that Paterson was very much in favour of the Union, arguing that the loss of the countries’ standing in the world and their economic problems was owing to ‘the want of a Union.’ Indeed he states, as a further argument, that ‘..a Kingdom divided within, or against itself, cannot stand.’ His argument throughout the text could be summarised as being that the introduction of a Union was not only convenient but a necessity and that all arguments against it could be weighed and measured against the positive ones and found wanting.

The book was written at a time when the crowns of Scotland and England had long been unified but their Parliaments, of course, had not. Various pieces of legislation passed in England and the failure of the Darien Scheme (which Paterson had helped to devise) in the late 17th century had affected both trade (particularly with the Dutch) and thus the economy of Scotland. In addition the two countries had different ideas about the nature of the Succession to the crown and this problem needed to be resolved since Queen Anne had no living heir. It made sense to many of the nobility and political classes, therefore, to unite the two Parliaments though, in Scotland at least, the opinion of everyday folk was at odds with their world view.

On reading the details of the contents page it can be seen that many of the arguments of 1706 are still being discussed in the media and Parliament today. For instance, the advantages/disadvantages of the Union to both countries; the amount of representation Scotland should have within the unified Parliament; the effects of a united economy on the relationship with European countries; the need for common granary and fisheries policy; ports of entry to the country; the relationship with the island of Ireland; the effects of restraints and prohibitions of trade on the economy and of course the discussions on taxation, debts and revenues, customs and excise, government expenses, coinage, weights and measures and poor relief (benefits, in today’s language.) Does this all sound familiar?

The final four pages contain information on a proposed scheme for the representation of Scotland in the unified Parliament, setting out numbers of representatives and taxation per Shire, Borough and city.

And what of the signature of the famous person? Well that belongs to James Boswell the younger (1775 -1822) and it can be found near the beginning of the book with a date of 1809 beside it. Boswell was the second surviving son of the more famous James Boswell, the lawyer and biographer of Samuel Johnson, a biography which is considered to be among the finest in the English language. The younger Boswell was also a lawyer and he rose to become Commissioner of Bankrupts. He was also the literary executor of Edmond Malone, a Shakespeare scholar and a friend of the elder Boswell.

End notes.

In carrying out some background research for this post, a number of interesting facts surrounding  people and places relating to the book came to my attention and I thought that they might be of interest to some readers.

  1. William Paterson ( 1658 – 1719)  was a Scottish trader and banker, co-founder of the Bank of England and one of the main proponents of the catastrophic and commercially disastrous Darien Scheme. In early life he emigrated to the West Indies where he gained considerable business acumen as a merchant. He was also reported as having had dealings with local buccaneers. He first conceived the Darien scheme whilst living in the West Indies and perceived it as a trading colony in Panama for Scotland to gain economic advantage in establishing trade links with the Far East. On returning to London in 1687 he made a fortune with the Merchant Taylors’ Company, through foreign trade, perhaps primarily through the slave trade in the West Indies. In 1691 he published a pamphlet, A Brief Account of the Intended Bank of England. He became a director of the bank in 1694 but left his position in 1695 after disagreements with colleagues. In 1698 he travelled to Panama with his family to join the Darien expedition. His wife and child died and he became very ill himself. On returning to Scotland in 1699 he became active in his support for the pro-Union movement.
  2. Benjamin Bragg  was a bookseller by trade, sometimes known as a trade publisher. In the times that he was operating, the term publisher meant something entirely different to what we know today. A publisher could commission a book to be printed but he/she could also be involved in the wholesale and/or retail book trade. He was involved in the production of many books and pamphlets but some of his publications were seemingly dubious in terms of how and when they appeared on the market. He fell foul of the Court of the Stationers’ Company (see notes below) and appears in their court records more than once; for example, in November 1706 his name appears in relation to the selling of sham almanacks.
  3. The printing trade was controlled as a monopoly from 1557 by a livery company known as the Stationers’ Company (SC). The SC was also responsible for policing the industry and also controlled as a monopoly a joint stock company called The English Stock which had sole control of the publishing of almanacks, psalters, school books, ABCs and catechisms. It was this monopoly which Benjamin Bragg offended against in 1706 (see above.)
  4. Copyright Law.  In 1695 the Licensing Act was allowed to lapse and this produced a situation where anyone with enough capital and access to a press could set themselves up as a publisher. This led to an explosion in piracy in the printing trade and the whole subject of who owned copyright in the printed word was brought into sharp focus. In 1704 the novelist and poet Daniel Defoe wrote an essay on the regulation of the press in which he argued for a free press but with the introduction of some statutory protections to give authors the rights to their own work and to prevent piracy. Benjamin Bragg seems to have been involved in piracy; in 1706 he published a pirated, error-filled edition of Defoe’s ‘Jure Divino’ one day before the official version was due to appear. In 1706 the bookseller trade also argued for a change in the law, to protect publishers and authors. In 1707 a group of thirteen influential City of London publisher/booksellers (not including Bragg) introduced a petition to parliament on the subject of copyright. All of this eventually led, in 1710, to the Statute of Anne which was effectively the first legislation on copyright.
  5. Paternoster Row was situated in the St.Pauls Churchyard area of the City of London until it was devastated by aerial bombing during in World War II. In 2003 it was replaced by Paternoster Square. In the 12th century it was the centre of  production of paternoster beads by skilled artisans. These beads were used by illiterate monks and friars to help them keep track of the progress of their required daily recitations of Our Father (Pater noster) prayers. The road is said to have received its name from the habit of monks and clergy leaving St Pauls Cathedral and processing along the road chanting the litany, including the Pater noster prayer. Nearby streets, Ave Maria Lane and Amen Corner also received their names from these processions. By the time Benjamin Bragg was operating out of the Black Raven, Paternoster Row was the centre of London’s bookseller trade, with the different bookseller properties being advertised by signs rather than numbers.
  6. The Black Raven was taken over in 1710/11 by a lady named Sarah Popping who was a bookseller, printer and publisher. She published, among many other things, a newspaper named The Observator which was associated with Daniel Defoe. She also published works which are attributed to Defoe. In 1711 she was imprisoned for libel and in 1712 she was taken into custody accused of printing, against the order giving printing rights to someone else, a report on the trial of the Earl of Winton for treason. She was released however after claiming no knowledge of how her name had been connected to the publication!
  7. Janet Burns St. Germain was American by birth but was of Scottish ancestry. She had a lifelong interest in Scotland, its history and culture and she amassed a sizeable collection of rare Scottish books, most of them first editions. She donated them to The Library of Innerpeffray from 2013 onwards, intending them to be seen and read. Some of the Library’s greatest treasures are contained within this Scottish Collection. Janet died in 2016.

And finally, if this has whetted your appetite to look at and/or read some of the treasures held in The Library of Innerpeffray we look forward to welcoming you: opening times for visitors can be found here. This book: An Inquiry into the Reasonableness and Consequences of an Union with Scotland, London, 1706 will be on display in 2023 as part of our ‘Nothing New’ exhibition.

Some of the collection can only be viewed by prior appointment with The Keeper of Books, Lara Haggerty, so please do check in advance if there is something in particular that you would like to see. We are no longer a lending library, so unfortunately you cannot borrow books.

Please note that we are currently closed for the winter and will reopen on 1 March 2023.

-SW

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Visitor Vignettes: Lieutenant Rupert Vardon de Burgh Griffith

Lieutenant Rupert Vardon de Burgh Griffith, © Imperial War Museums (HU 115475).

Today’s Visitor Vignette features one of my favourite signatures in the Innerpeffray Visitors’ Books, a young visitor to the library on 22nd August 1899.

Visitor Book Volume 2, f.58v.

Every time I come across this page, I am delighted all over again that Alice Mary Griffith allowed her son Rupert (aged 6) to sign his own entry. You can picture the interaction: Rupert watches other people signing the visitors’ book and wants to have a go. The adults around him make eye contact above his head, have that silent discussion about whether he’s too young, and eventually concede. Rupert takes up the pen, and in his very best handwriting, carefully forming each letter and making sure to dip the pen back in the ink on multiple occasions, inscribes his name. And the visitors’ books are forever blessed by this wonderful entry.

Although neither Rupert nor A. M. Griffith leave any indication as to their location or place of residence, the Bagshawe entries which bracket the Griffiths indicate that the party was staying presently in Crieff and visiting from Manchester and Cheltenham. And indeed, it was possible to track down records of Rupert and Alice Mary Griffith in and around Cheltenham.

Visitor Book Volume 2, ff.58v-59r.

Rupert Vardon de Burgh Griffith was born on the 25th December 1892 to Walter Hubert de Burgh Griffith and Alice Mary Griffith (née Gaitskell). He was baptised the following year, on 26th January 1893, in the same church where his parents had married in August 1891.

Certificate of Baptism for Rupert Vardon de Burgh Griffith, 26th January 1893
Certificate of Marriage between Walter Hubert de Burgh Griffith and Alice Mary Gaitskell, 11th August 1891

Rupert was educated in Cheltenham and by age 18 was studying at the Royal Military College at Sandhurst, where the 1911 Census records “Rupert V de B Griffith” working as a “Gentleman Cadet.”

1911 England Census for Crowthorne Parish
Hart’s Annual Army List, Special Reserve List, and Territorial Force List 1914, vol.75. © National Library Scotland.

In the 1914 edition of Hart’s Annual Army Lists, digitised and available online through the NLS, Rupert is listed as a Second Lieutenant, having joined the Royal Fusiliers on the 13th March 1912, when he was 19. Almost exactly three years later, he was killed in action in St. Eloi, France, on the 12th March 1915, having been promoted to Lieutenant five months before. Rupert was buried in the Kemmel Chateau Military Cemetery in Belgium.

There is quite a lot of information already available about Rupert’s career in the Royal Fusiliers and his death during the First World War. His obituary includes his last words, “Cheer up, lads; time’s up in five minutes” and adds that he “was a good all-round athlete, his favourite sports being football, polo and rowing.” And now we can also add to his story that when he was 6 years old, he accompanied his Mum to the Library of Innerpeffray and convinced her to let him sign the visitors’ book himself.

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Innovators and Readers – John Barclay and Robert Stirling

Meet The Borrowers

The theme of the main exhibition this year at the Library of Innerpeffray has been “Innovation and Invention”. It was inspired by David Drummond, 3rd Lord Madertie, an innovator ahead of his time, when in 1680 he decided to share his collection of books by founding the first free public lending library in the UK, as well as a school, at Innerpeffray.

No doubt many of the ‘ordinary’ folk who borrowed books from Innerpeffray would go on to become innovators and inventors, in various fields and to greater or lesser degrees. Two    such Borrowers, John Barclay and Robert Stirling, were chosen to be part of the 2022 exhibition.

John Barclay 1758 -1826

John Barclay was born 1758, at Cairn, near Drummaquhance, where his father, James, was a farmer. The family later moved to Strageath, just across the river from Innerpeffray. It was John’s uncle, also named John, who founded the Borean or Barclayan church sect in Edinburgh.

John was educated at the parish school of Muthill and in 1776 he went to the University of St Andrews to study divinity. He was a Borrower at Innerpeffray in 1777 and 1780. As well as preaching he acted as private tutor to the sons of Sir James Campbell of Aberuchill, whose daughter, Eleonora, he would marry in 1811. In 1789 he moved to Edinburgh with his pupils, where he became interested in the anatomical classes at the medical school. From that time on he devoted himself to medical studies and took the degree M.D. in 1796.

In 1797 he began to deliver private lectures on anatomy. His new anatomical nomenclature was published in 1803 and in 1806 he became a fellow of the Royal College of Physicians. In 1808 he published his work on the muscular motions of the human body and in 1812, a description of the arteries of the human body. Until 1825 he was delivering two complete courses of human anatomy each day, every winter session, and for several years, gave a summer course on comparative anatomy. He died in Edinburgh on 28th August 1826.

Books Borrowed:

23rd June 1777      2 vols.           William Robertson –  ‘ The History of the Emperor Charles V’

20th September 1777 Vol. 1            William Temple – ‘The Works of William Temple’

23rd May 1780 James Ferguson – ‘Astronomy explained upon Sir Isaac Newton’s principles’

John Barclay as portrayed by John Kay, riding an elephant skeleton of innovation into the medical teaching of the day.

Robert Stirling 1790 – 1878

Robert Stirling

Robert Stirling was born 1790, at Cloag, near Methven, where his family farmed. The Stirlings were part of an extended family, mostly tenant farmers, whose farms were to be found between Perth and Stirling. By the time Robert was born the family had introduced new farming methods, new crops which had been bred to produce higher yields and new types of machinery.

At the age of 15, Robert went off to Edinburgh to study for a Master of Arts degree. He does not appear to have graduated but, in those days, this was not a requirement for extra study or ordination. In 1806 he borrowed two books from Innerpeffray in June and one in the July. It may be that his visit to the library coincided with a visit to Stirling family relations who were at that time tenant farmers at Innerpeffray Mains Farm. Members of this family were already regular borrowers at Innerpeffray.

In 1809 he was accepted by Glasgow University as a student of divinity for another four years, before returning to Edinburgh for a further year. He continued his divinity studies until 1815, when he was licensed as a probationary minister by the Presbytery of Dumbarton. On 19th September 1816 he was ordained as a suitable minister for the second charge at Laigh Kirk, Kilmarnock.

On the 26th September 1816, he lodged his application to patent the “Stirling air engine”, later known as the “Stirling heat exchanger”. Robert and his brother James went on to patent further engines some of which have been adapted over the years to power cars, computer chip coolers, portable refrigerators and more recently used in the solar power sector.

He married in July 1819 and in 1823 he moved his wife and young family to Galston, Ayrshire, where he would remain Minister for 52 years. He had a workshop built beside the Manse where he continued with his engine work. He also became interested in making telescopes, under the tutelage of his friend Thomas Morton.

Robert died at Galston on 6th June, 1878.

Books Borrowed:

10th June 1806       Count de Buffon      ‘Natural History, general and particular’ Vol. 5

          Edward Gibbon       ‘The History of the Decline and Fall of the Roman Empire’

23rd July 1806         William Robertson   ‘History of America Volume the First’

Robert Stirling’s entry in the Borrowers’ Register

Gillean Ford

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Festival of Reading 2021 Recap

After the Festival of Reading last year, I posted the following blog to the Books and Borrowing website, recapping all the fantastic events that made up our inaugural festival. Read on to whet your appetite for this year’s events!


Last week I spent a delightful few days at the Library of Innerpeffray’s inaugural Festival of Reading! From Wednesday 8th to Saturday 11th September 2021, Innerpeffray hosted eight Tayside writers to celebrate The Past on the Page, in celebration of the 250th anniversary of the birth of Sir Walter Scott.

In the run up to the festival, the library launched the A Postcard to Reading project – a campaign to collect information about reading with participants filling out postcards and sending them in the post from wherever they live. There has been a fantastic uptake and the library has received responses from all over the world – with the furthest so far from Canada and Australia! Some of the first books people remember have been The Wind in the Willows, Little Grey Rabbit, and Winnie the Pooh. The most popular book choices have been The Bible, Pride and Prejudice and The Hobbit or The Lord of the Rings. And miles ahead of any other answer, the most oft-cited response to ‘What does reading mean to you?’ has been escapism and education!

Selection of Postcards to Reading from readers in the USA, Australia and Canada
Steph Haxton and Tom Bowser in discussion at the Innerpeffray Schoolroom

On Wednesday 8th September, the Festival of Reading kicked off with a brilliant conversation with nature writer and wildlife guide Tom Bowser. Organised by the Friends of Innerpeffray Library, in this event Tom discussed the realities of rewilding Scotland through his award-winning Argaty Red Kite project and his 2021 book, A Sky Full of Kites, published by Birlinn. The subject of potentially reintroducing beavers to Scotland certainly divided the audience…

Objects from the historical writing workshop with Steph Haxton

On Thursday 9th September I took part in a creative writing workshop with historian and author Steph Haxton, writer of the Pendennis trilogy. In addition to writing a series of short pieces inspired by old photographs and objects, we made our own small accordion-fold (or liperello) books and learned about different methods of approaching historical fiction. At the end of the workshop, I even wrote a ghost story about Innerpeffray that might one day see the light of day!

Friday 10th September brought two author events and an evening of music, poetry and song. In the morning, we were delighted to welcome Perthshire author Linda Cracknell for a conversation about writing fiction with an eye on the past and her new book, The Other Side of Stone, which weaves tales of various characters around a woollen mill between 1831 and 2019.

Elizabeth Wein in conversation with Marian Gerry

On Friday afternoon we welcomed New York Times bestselling author Elizabeth Wein to discuss her young adult books including Code Name Verity (2012), The Enigma Game (2020), and The Pearl Thief (2017) – the latter inspired by Innerpeffray Library! It was brilliant to hear Elizabeth’s passion for writing for young people and how her pilot’s license has brought flight into her books.

L-R: Karys Watt, Aileen Ogilvie, Dave Macfarlane, Julie McNeill and Jim C. Mackintosh

On Friday evening we gathered in the grounds for drinks and fresh air before moving into the library itself. Brought together by the incomparable Jim C. Mackintosh, poet and Makar of the Federation of Writers Scotland, we were treated to an evening of music and words with violinist Karys Watt, guitarist Dave Macfarlane, singer Aileen Ogilvie and fellow poet Julie McNeill.

Words cannot describe how magical it was to listen and feel the rhythm through the floorboards – for many, including myself, this was our first live music in eighteen months. Jim and Julie read some of their own poems – inspired by themes of resilience and history – and the band performed songs in both English and Gaelic. Towards the end of the evening we contributed to a unique, crowdsourced poem – five members of the audience read a selection of words that had resonated with them throughout the pandemic, topped and tailed by lines by Jim and Julie. Serendipitous and beautiful – the chosen lines of poetry and prose flowed perfectly, creating a one-off poem just for that audience on that night.

On Saturday morning the library hosted two events: one for families and children and one hosted by our very own Books and Borrowing team! Author and illustrator Natalie Russell took children and their adults on an adventure down the heritage trail to bring their stories to life – I was later told by one participant that he had created a squirrel-beaver cross that loves mangos!

Katie Halsey, Matthew Sangster, Isla Macfarlane, Marian Gerry and Alex Deans at the Books and Borrowing presentation

In the main library, Katie, Matt, Isla, Marian, Alex, and Lara presented some findings from their research projects – telling the audience all about the borrowing registers we have been investigating, literacy in Scotland, and Innerpeffray’s visitors’ books. After a quick break we took the audience upstairs and hosted a Q&A, discussing topics such as various occupations found in the borrowing registers (poachers, maids and vagabonds!) and the concept of honesty – the different ways borrowers were trusted to take books home.

Selections from Innerpeffray’s Borrowing Register vol. 2 showing occupations such as ‘Housemaid’, ‘Shepherd’, and ‘River Watcher’

On Saturday afternoon we were joined by Gothic writer Helen Grant and historian Steph Haxton who discussed the differences between traditional historical fiction and ghost stories inspired by history. In the course of the panel, we were charmed by stories of spirits taking care of their resting places and scared by tales of ministers hung for crimes they might not have committed!

Helen Grant in conversation with Steph Haxton

For the grand finale of the festival, Dr Daniel Cook delighted the audience with renditions and discussions of some of Sir Walter Scott’s supernatural tales, including ‘The Fortunes of Martin Waldeck’, ‘Wandering Willie’s Tale’ and ‘Donnerhugel’s Narrative’. Dan brought home the theme of this first Festival of Reading – inspiring thoughts of the enduring legacy of Scott and the Past on the Page.

Hosting a festival with authors, audience-members, and the possibility of thunderstorms at the end of a pandemic is no small feat but the Library of Innerpeffray prevailed and this inaugural festival was a success! Thank you so much to all the speakers, performers, attendees, organisers, and volunteers for making the week so rewarding. Time to get planning next year’s festival celebrating Scotland’s Year of Stories!

Sketch of Innerpeffray Library by Natalie Russell, 2021
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Innerpeffray’s 2022 Festival of Reading

We are only two weeks away from our 2022 Festival of Reading!

Collage of author and book images from the Innerpeffray Festival of Reading programme.

From Wednesday 7th to Sunday 11th September 2022, the Library of Innerpeffray will be buzzing with writers, readers, and booklovers. From poetry to prose and picture books to plays, there is an event for everyone.

Image taken from The Scots Magazine, entitled Fowls of a Feather Flock together.

On the evening of Wednesday 7th September, we open with a cornucopia of news, views, and gossip from the Scottish Enlightenment – a dramatic reading inspired by The Scots Magazine, written by John Cummings and performed by Crieff Drama Group.

Image of food writer and historical novelist Sue Lawrence.

On Thursday 8th September the Friends of Innerpeffray Library welcome acclaimed food writer and historical novelist Sue Lawrence for a special conversation at Morrison’s Academy Memorial Hall.

Image of author and researcher Caroline Copeland.

On Friday 9th September, join us in the afternoon for a discussion with author and researcher Caroline Copeland about writing some of the most glamorous characters from the early 20th century.

Jim C Mackintosh reading during the 2021 Festival of Reading event, Reading Aloud.

In the evening on Friday 9th September, we are delighted to be bringing back Jim C Mackintosh and friends for an unmissable night of music, poetry, and storytelling.

Book cover for Oscar the Ferry Cat by Molly Arbuthnott.

On Saturday 10th September we have fun for all the family, starting with a children’s writing workshop with Molly Arbuthnott and Oscar the Ferry Cat.

Author Kenneth Steven with his poetry collection 'Iona'

At 12.30pm on Saturday, we will be welcoming author Kenneth Steven and his Poems from Perthshire to the Innerpeffray Stone Circle (sensible shoes recommended!).

Author Mark Bridgeman.

At 2pm on Saturday 10th, Perthshire-based author Mark Bridgeman will welcome you to a trial by jury, or rather, audience. Find out more about yourself and your fellows in this afternoon to remember.

Historians David and Ian Robertson.

Later in the afternoon, historians David and Ian Robertson will look back on the Lost Country Houses of Perthshire, focusing on the local Strathearn area.

Storyteller Erin Farley.

On Sunday 11th September, storyteller Erin Farley will explore how innovation and tradition have been linked throughout Scottish history.

Historians and authors Andrew Pettegree and Arthur du Weduwen.

Finally, join renowned historians and authors Andrew Pettegree and Arthur du Weduwen for a whirlwind tour of libraries past, present, and future.


You can find out more about our scheduled events on the Innerpeffray website and book tickets here. If you would like to attend multiple events, don’t miss out on our Festival Talk Ticket that gets you in to six talks for the price of five!


Throughout the week we will also have drinks and biscuits available in the Innerpeffray Schoolroom, as well as a free book swap.


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Visitor Vignettes: Adam White

Welcome back to our Visitor Vignette series, today focusing on Adam White (1817-1878), Zoological Assistant at the British Museum.


‘Portrait of Adam White, aged 42, three-quarter length standing to left, in evening dress, with book in his right; in arch. 1858.’
Photographed by Maull & Polyblank, 55, Gracechurch Street, and 187a, Piccadilly, London.
“Adam White æt. 42. 7. Oct. 1858” © The Trustees of the British Museum.

While the vast majority of entries in the Innerpeffray visitors’ books are purely factual (with limited details such as the date, visitors’ names, their places of residence and occasionally their occupations), there are a few extended entries which provide additional information and so enable exact identification of their author. The portrait above shows naturalist Adam White, aged 42, likely taken as part of photography firm Maull and Polyblank’s ‘Literary and Scientific Portrait Club’ series, which was issued in forty monthly parts from 1856-1859.[i] Although the book title is too faint to decipher, I imagine that White is holding either one of his own publications or another influential zoological text.

Seven years after this portrait was taken, on Tuesday 26th September 1865, Adam White visited the Library of Innerpeffray and inscribed a rare extended entry in its visitors’ book. In addition to his name and the date of his visit, White includes his past occupation, current address, and details about his visit to the library, revealing that he “spent many hours” there.


Visitors’ Book Volume 1, f.10v

His entry, pictured above, reads: “Adam White, for 27 years an assistant in the Zoological Department, British Museum, spent many hours this day in the Library at Innerpeffray.” In the margin, underneath the date, he also adds, “& now resident 11. N. Melville Place, Edinburgh.” Had White only written a standard entry, with the date, his (fairly commonplace) name, and perhaps ‘Edinburgh’ as his location, it would likely have been much harder, if not impossible, to identify and discover more about him. But since we do have the extra information from his entry, we can actually find out quite a lot about Adam White – including details of a second visit to Innerpeffray within one of his written publications.

Although there is no trace of a second entry by him in the visitors’ book, we know that White visited the Library of Innerpeffray on at least two occasions. Published in the monthly periodical Good Words, White’s article on ‘Spiders’ reads:

“Come with me to that well-known point in Strathearn, called Whitehill, on an autumn morning. The sun is breaking through the mist, which conceals the lovely prospect all around. The view of the country, from the Ochils to the Grampians, from “fair” Perth to the woods of Strathallan and Drummond Castle, is spread out before you, but hidden. […] I was on my way to examine for a second time, the curious library of Lord Maderty at Innerpeffray, where are many books that belonged to the great Marquis of Montrose.”

Adam White, ‘Spiders’, Good Words, 7 (1866), 212-16 (p. 213).

Born in Edinburgh on 29th April 1817 to Mary Ann (née Gellatly) and Thomas White and educated at Edinburgh’s Royal High School, our young Zoologist started work at the British Museum in London in 1835, at the age of 18. Working alongside influential naturalists such as John George Children (1777-1852), John Edward Gray (1800-1875), and Edward Doubleday (1810-1849), White was mainly involved in identifying, naming and cataloguing arachnids, beetles, insects, and crustaceans. A prolific writer, White published a multitude of books and papers about his zoological findings, with biographer Ann Datta estimating that he produced “more than sixty scientific papers” in the twenty-eight years between 1839 and 1867.[ii] White also wrote on non-scientific matters, and between 1847 and 1851 he spearheaded the campaign for the creation of a National Museum of Scotland, penning many letters to politicians and members of the Edinburgh press.[iii]



Despite working in the Zoological Department for 27 years, White never rose above the position of Zoological Assistant – a snub which his biographers claim was “due to real or imagined difficulties with his superior,” John Edward Grey. Nevertheless, White had an excellent reputation as “an active and effective curator” and was a candidate for various professorial jobs in Edinburgh before and after he retired from the British Museum due to ill health in 1863. Indeed, two years after leaving the British Museum and in the same year as his first visit to Innerpeffray, he printed a pamphlet filled with testimonials for future employers. One of these letters of recommendation was written by no less than Charles Darwin, for whom White had catalogued some of the arachnids collected during his journey on the H.M.S. Beagle. Darwin’s letter, written at his home in Kent on the 26th December 1851, reads:

My Dear Sir,

I have much pleasure in expressing my high opinion of your Zoological attainments; and your great zeal for every branch of Natural History must strike all who are acquainted with you.

Your papers in the scientific journals show how successfully you have worked out original materials. I have often had occasion to visit the working department in the British Museum, and I have invariably found you, permit me to add, most zealous and obliging in your endeavours to aid me in every possible way, and in giving me all the information in your power.

You are at full liberty to show this letter to any one; and I beg to remain, my dear Sir,

Yours sincerely,

Charles Darwin, Esq.

Charles Darwin to Adam White, ‘Letter No. 1466’, 26 December 1851, Darwin Correspondence Project

White did not only correspond with Darwin, and the letter above is just one example of correspondence with notable nineteenth-century figures. In May 1907, O. J. Stevenson wrote an article for The Canadian Magazine, on ‘The Eccentricities of Genius,’ with extracts from a series of letters from White’s archive, then in the possession of a relative in Toronto.[iv] The article reveals that in 1847, White took it on himself to promote a proposed memorial of English poet William Cowper in Westminster Abbey by writing to individuals including Charles Dickens and William Wordsworth to ask for their support. (While Dickens refused “point blank to sympathise with [the] proposal”, Wordsworth was exceedingly supportive and “even offered to increase the amount of his contribution should it be found necessary.”)[v] Stevenson also includes a letter from Wordsworth to White in 1844, wherein Wordsworth agreed to be quoted in a future publication: “I should deem it an honour to have any extracts from my poems inserted in such a book, as I have no doubt yours will prove.”


Mr. Adam White, from an 1846 pencil sketch by Scottish artist Norman Macbeth,
as featured in ‘The Canadian Magazine’, May 1907, p. 7.

In 1865-66, White wrote letters to both Alfred Tennyson and Coventry Patmore enquiring “as to their opinion of the value of natural history as a subject of the school course”. Patmore’s personal response infers that he had crossed paths with White while they both worked at the British Museum – White having retired a few years prior and Patmore a few weeks away from retiring from his Assistant Librarian position.

British Museum, Dec. 4, 1865.

My Dear White, —I  and my children have been delighted with your lucubrations in natural history. I entirely think with you as to the utility of obtaining, if possible, a place for natural history in the ordinary educational course. It is a study of which even a smattering is an advantage. Almost everything one learns concerning our fellow creatures of the field and air increases our friendship for them and our pleasure in their society. Some day you must come and see my bird cage; it contains fifty-four little fellows from all parts of the world, living together on excellent terms.

Yours most truly,

Coventry Patmore.

As featured in O. J. Stevenson, ‘The Eccentricities of Genius’, The Canadian Magazine, May 1907, pp. 7-8.

‘Adam White, when old, half-length to left, with large beard and bald pate.’
“British Museum Print Room, care of Mr Reid from Adam White, in the Museum from Nov 1835 to April 1862…”
© The Trustees of the British Museum.

When Adam White died in Glasgow on 30th December 1878, he was a highly regarded curator and writer with an admirable scientific reputation. He had authored a library’s worth of papers, articles, and books; enjoyed membership of exclusive groups such as the Linnean Society, the Entomological Society of London, and the Botanical Society of London; had corresponded with men such as Darwin, Dickens, Wordsworth, and Tennyson; and had personally furthered the scientific field of Natural History. Finally, in addition to himself naming numerous species of insects and arachnids, he was appropriately memorialised by John Obadiah Westwood, who named the ‘Taphroderes whitii’ in his honour:

I am indebted to A. White, Esq., the author of numerous valuable papers on Entomological subjects, for directing my attention to this very interesting insect in the Cabinet of the British Museum placed under his charge, and whose name I have much pleasure in associating with so curious a species.

J. O. Westwood, ‘The Cabinet of Oriental Entomology’, (London: William Smith, 1848), p. 32.
Taphroderes Whitii, as illustrated in J. O. Westwood, The Cabinet of Oriental Entomology (London: William Smith, 1848), p.32.

If you would like to read more about the Library of Innerpeffray visitors’ books, my first ever published article is now available open access (free to read!) in Studies in Travel Writing: ‘Visitors Visiting Books: visitors’ books at the Library of Innerpeffray’ <https://doi.org/10.1080/13645145.2022.2057387>. I also briefly mentioned Adam White in my first ever PhD blog back in October 2020, which you can find here if you missed it: https://borrowing.stir.ac.uk/visitors-at-innerpeffray-library-j-m-barrie-george-bernard-shaw-and-adam-white/

Isla Macfarlane, PhD Student


[i] ‘Maull’, The British Museum <https://www.britishmuseum.org/collection/term/BIOG165838> [accessed 28 June 2022].

[ii] Ann Datta, ‘White, Adam (1817-1878), Naturalist’, in The Oxford Dictionary of National Biography, ed. by H. C. G. Matthew and B. Harrison (Oxford: Oxford University Press, 2010).

[iii] E. G. Hancock, ‘Adam White’, in The Dictionary of Nineteenth-Century British Scientists, ed. by Bernard Lightman (London: Bloomsbury, 2004), iv, 2147–48.

[iv] O. J. Stevenson, ‘The Eccentricities of Genius’, The Canadian Magazine, May 1907, pp. 1–9.

[v] It appears that White’s appeal was not successful as, although there is a stained glass window in Westminster Abbey commemorating William Cowper, it was “Given by George William Childs, American citizen, 1876” – thirty years after White’s correspondence with prospective sponsors. (‘William Cowper’, Westminster Abbey Commemorations).


Works Cited:

‘Adam White’, The British Museum <https://www.britishmuseum.org/collection/term/BIOG162220> [accessed 29 June 2022]

Darwin, Charles. Letter to Adam White, ‘Letter No. 1466’, 26 December 1851, Darwin Correspondence Project <https://www.darwinproject.ac.uk/letter/DCP-LETT-1466.xml> [accessed 23 June 2022]

Datta, Ann, ‘White, Adam (1817-1878), Naturalist’, in The Oxford Dictionary of National Biography, ed. by H. C. G. Matthew and B. Harrison (Oxford: Oxford University Press, 2010) <https://doi.org/10.1093/ref:odnb/29234> [accessed 22 June 2022]

Hancock, E. G., ‘Adam White’, in The Dictionary of Nineteenth-Century British Scientists, ed. by Bernard Lightman (London: Bloomsbury, 2004), iv, 2147–48

‘Innerpeffray Library Visitors’ Book Volume 1’ (Innerpeffray: Library of Innerpeffray, 1859-1897)

‘Literary and Scientific Portrait Club: Photographs by Maull & Polyblank, circa 1855’, National Portrait Gallery <https://www.npg.org.uk/collections/search/set/192/Literary+%26+scientific+club+by+Maull+%26+Polyblank> [accessed 29 June 2022]

‘Maull’, The British Museum <https://www.britishmuseum.org/collection/term/BIOG165838> [accessed 28 June 2022]

Stevenson, O. J., ‘The Eccentricities of Genius’, The Canadian Magazine, May 1907, 1–9, Toronto Public Library <https://archive.org/details/canadianmagazine29torouoft/> [accessed 29 June 2022]

Westwood, J. O., The Cabinet of Oriental Entomology (London: William Smith, 1848), Biodiversity Heritage Library <https://www.biodiversitylibrary.org/bibliography/34273> [accessed 25 June 2022]

White, Adam, ‘Spiders’, Good Words, March 1866, 212–16, ProQuest British Periodicals <https://www.proquest.com/historical-periodicals/spiders/docview/3300769/se-2?accountid=14755> [accessed 01/02/2021]

‘William Cowper’, Westminster Abbey Commemorations <https://www.westminster-abbey.org/abbey-commemorations/commemorations/william-cowper> [accessed 28 June 2022]

White, Adam, A Popular History of Birds, Comprising a Familiar Account of their Classification and Habits. (London: Lovell Reeve, Henrietta Street, Covent Garden, 1855), Wellesley College Library <https://archive.org/details/popularhistoryof00whit_0/> [accessed 27 June 2022]

White, Adam, A Popular History of British Crustacea; Comprising a Familiar Account of Their Classification and Habits (London: Lovell Reeve, Henrietta Street, Covent Garden., 1857), Smithsonian Libraries <https://archive.org/details/popularhistory00whit> [accessed 30 June 2022]

White, Adam, Heads and Tales; or, Anecdotes and Stories of Quadrupeds and Other Beasts, Chiefly Connected with Incidents in the Histories of More or Less Distinguished Men, (London: James Nisbet & Co., 21 Berners Street., 1870), University of California Libraries <https://archive.org/details/headstalesoranec00whitiala> [accessed 30 June 2022]

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Visitor Vignettes: Héloïse Russell-Fergusson

Héloïse Russell-Fergusson (1896-1970) with a Clàrsach (Gaelic Harp), painted by Cathleen Mann (1896-1959), © The Mitchell Library, Glasgow

Hello and welcome to the first blog post in a new series: Visitor Vignettes! These bite-sized blog posts will explore past visitors to Innerpeffray who were recorded in the library’s collection of visitors’ books.


Visitors’ Books Volumes 1-12, covering 1859-1982

The visitors’ books contain signatures and details of visitors to the library from 1859 to the present day – with each modern visitor adding to the living archive. By digitising and investigating the information within the visitors’ books, it is possible to discover more about what kind of people were visiting the Library of Innerpeffray – and this is one of the research goals of my PhD.


Visitors’ Book Volume 2, f.10r

Today’s spotlighted visitor is Héloïse Russell-Fergusson (1896-1970), who visited the Library of Innerpeffray on Friday 30th July 1897. Born in Glasgow the previous year, it appears that Russell-Fergusson was brought to Innerpeffray as a babe in arms, accompanied by some of her mothers’ relatives, including Agnes and Jessie Russell, from Rothesay on the Isle of Bute, and William Russell, from Glasgow.[1]


Visitors’ Book Volume 2, f.10r

Although Héloïse’s mother, Hélène Russell-Fergusson (1873-1952) is not recorded as being present with her daughter on 30th July, her signature does appear in the Innerpeffray visitors’ books just over a week later, on Monday 9th August 1897, where she indicates that she lives in the Scotstounhill area of Glasgow. Perhaps Hélène was unable to join her family on 30th July and simply had to plan her own visit after they all came home singing the praises of the library!


Visitors’ Book Volume 2, f.11r

Héloïse Russell-Fergusson was an influential musician, teacher, and composer, who travelled the world playing the clarsach and piano. Growing up between Glasgow and Argyll, as a young adult she studied piano, song and harmony at the Royal Academy of Music in London and subsequently taught piano at an American girls’ school in Washington D.C. In fact, it was in America that Héloïse first discovered the clarsach, an instrument which shaped her future life and career.


September 1923 Outward Passenger List for the S.S. Paris, from Plymouth to New York

June 1926 Incoming Passenger List for the T.S.S. Caledonia, from New York to Glasgow

While the outward passenger list for her 1923 journey to New York lists her occupation as “Pianist”, and the incoming passenger list for her return to Glasgow in June 1926 lists her occupation as “Teacher” (as we know, she worked as a piano teacher during this time), the outward passenger list for a December 1935 trip to New Zealand lists her occupation as “Musician”. Héloïse continued to travel as a performing musician throughout the 1930s, giving recitals across the Americas, Canada, Japan, Australia, New Zealand and South Africa.


December 1935 Outward Passenger List for the R.M.S. Remuera, from London to New Zealand

Héloïse composed and published numerous pieces of music, most of which are part of a collection of almost 2000 items she donated to Glasgow’s Mitchell Library in the 1960s. She was also interested in ethnography, and her nineteen-volume collection of photographs and cuttings about harps and harp-like instruments, titled the Russell-Fergusson Collection of Harps, is also held at the Mitchell Library.


While researching Héloïse for this blog, I was delighted to find that some of her musical recordings are available to listen to online! The following song was recorded at the Kintore Rooms, 74 Queen Street, Edinburgh on Tuesday 26th September 1933.


Héloïse Russell-Fergusson, Scottish harpist and singer, 1933.

For more information about both Héloïse and her archive in the Mitchell Library, Hélène Witcher (Héloïse’s niece) has published a book about her aunt: Madame Scotia, Madam Scrap: The Story of Héloïse Russell-Fergusson, 1896-1970.

The following website, Rare Tunes, is also full of information about Héloïse and contains further recordings of her music: https://raretunes.org/heloise-russell-fergusson/


Isla Macfarlane, PhD Student

[1] The 1891 census shows two sisters, Agnes Russell (born around 1835) and Jessie Russell (born around 1833), living in Rothesay, who may be Héloïse’s Great-Aunts, but I have not been able to confirm this.

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Why FOIL?

A Talk by Jean Ann Scott Miller – blog by Sophie Wood

On 13th April 2022, the Library of Innerpeffray hosted a talk in its schoolroom about the foundation of our fundraising and support society: Friends of Innerpeffray Library (FOIL). The talk was given by one of FOIL’s founding members, Jean Ann Scott Miller, who continues to volunteer and lend her support to the library frequently.

Pamphlet, approximate date 2002: Seven Good Reasons to join FOIL including joining costs and membership form to post to the LIbrary.

Jean Ann started the talk with a contextual outline of the library – beginning with Friends of old.

David Drummond, 3rd Lord Madertie

Anyone familiar with the library knows the story of our founder, David Drummond, Lord Madertie. “The first and greatest” friend of the library, his incredible generosity in opening his personal library to the public in 1680 led to a centuries long story of education and enterprise. From a small room in the chapel to what it is today, we have Lord Madertie to thank.

William Drummond of Hawthornden.

Jean Ann lamented the fact that we do not have any portraits of Lord Madertie, only examples of his signature in his books, as seen above. However, we do have a number of portraits of his “slightly older cousin, the poet and historian, William Drummond of Hawthornden from which I think we can deduce the general style and manner of Madertie’s appearance.”

William Drummond

In a similar vein, Jean Ann introduced the audience to William Drummond, the younger brother of Lord Madertie. While he was sadly uninvolved with the library’s foundation, due to his passing away, his portrait is proudly displayed in the library, and he provides a potential glimpse into the features of our founding father.

Robert Hay Drummond

An exceptionally important Friend of the library, “He was born Robert Hay, a grandson of the 7th Earl of Kinnoull, and added Drummond to his patronym when he inherited the Innerpeffray estate from his great-grandfather, William Drummond, 1st Viscount Strathallan. His distinguished career culminated in his appointment as Archbishop of York in 1761, and he is hugely important for us because it was he who financed the building of the Library, begun in the 1740s and completed in 1762. He also donated and bequeathed a number of his own books to the Library, and even more important, made provision for the purchase of new books, the foundation of our outstanding collection of 18th century titles.

Arthur Hay Drummond

Next, Jean Ann introduced the audience to Arthur Hay Drummond, a man “generally credited with setting the Library’s affairs in order by updating the Mortification Trust… in 1853 at a time when the Library was in considerable difficulty.” While the majority of the work to establish the administrative change to the Library was conducted by Arthur’s older brother, yet another Robert Hay Drummond.

Portrait of Arthur Hay Drummond, 1879

it is Arthur who is credited. This comes as a result of Robert’s untimely death at the age of 24, after succumbing to mortal injuries on his journey home from the Crimean War.

Having established the long history of the people whose investment and friendship towards the Library of Innerpeffray sustained the institution for centuries, Jean Ann brought us into much more recent times, with Friends from the 20th and 21st centuries.

Janet Saint Germain

Another familiar name for those already versed in the Library’s history, Janet Saint Germain is one of our most important recent patrons. “Janet’s amazing gift of her collection of Scottish first editions, including the earliest books in the Library – a 1476 edition of the works of John Duns Scotus, the 13th century Scots theologian and philosopher – and extending to the 20th century renaissance of Scottish literature has given new life and lustre to the Library.” Janet Saint Germain’s bequeathment of these books in 2013 introduced a wealth of resources to the Library and allowed for the renovation of the downstairs of the building – leading to a beautiful set of shelves being added to house the collection. Janet sadly passed away in 2018, but her legacy and unfathomable generosity lives on in the Library.

Bobby Wallace

Mr Wallace, a long-standing Friend of Innerpeffray Library played a large part in finding and securing funding for the Library throughout his time with us, and it was his “single-minded determination [which] secured the redevelopment of the lower part of the building to house [Janet Saint Germain’s] collection.”

It remained clear throughout the talk that there have always been people who have been devoted to the Library of Innerpeffray and whose time and efforts have kept the Library going since 1680.

L_R Mrs Christine Wallace, Mrs Janet St Germain, Dr Alistair Kennedy (Innerpeffray Governor) and Robert ‘Bobby’ Wallace (Chair of Governors)

Jean Ann continued:

“We’ve almost arrived at FOIL, but again we must first understand a little about the Library’s instrument of governance, the Mortification Trust. Lord Madertie very plainly wanted the Library to continue after his death. He left it a considerable sum – 5000 Scots merks – in his Will, and also endowed land in its favour – possibly the present graveyard… but Lara [Haggerty] suggests… that it may have been a parcel of land from the estate which could have provided regular income. In any case, shortly after Madertie’s death in 1692, his surviving family established the Mortification Trust to ensure the Library’s continuation, and in the interests of that continuity, it was determined that there should be an enduring connection between the Library, the Haldanes of Gleneagles, and the holder of the Innerpeffray estate.” Over time this connection has adapted, and remained intact until 2019. At present, “the Mortification continues to fulfil its original purpose – to retain the collection in its historic setting to make it generally available to the public.”

With the library ceasing to lend in 1968, due to evidently fluctuating use of the lending system between the 18th and early 20th centuries, it was unclear what would come next. The Library became a Book Museum, however “Matters came to a crisis point in the early 1980s.”

In 1983 there were discussions of transferring much of the collection to the National Library in Edinburgh, and potentially to hand the Library building over to the Department of the Environment – the latter suggestion being rebuffed by the Minister, Lord James Douglas Hamilton and eventually fruitless.

1988 brought a new lease of life to the Library with the appointment of Librarian Ted Powell, and the appointment of Frank Thomson as a Governor. Following swiftly, in 1992 Frank Thomson’s wife Lucie – an Independent on the Perth and Kinross District Council – became a representative on the Library’s Board of Trustees. The team of Ted and Lucie was joined by Logan Mitchell, and together the three became the first official Friends of Innerpeffray Library.

This move was not initially supported by the Governors, something that is all the more confusing when taking into account a letter included in the Mortification file from 25th February 1953, suggesting the foundation of a “Friends of Innerpeffray Library”.

Recounting her memory of the early days of FOIL, Jean Ann stated “Our first members were mostly recruited by Lucie calling on her many friends with an application form at the ready and the genial instruction ‘You do want to be a Friend of Innerpeffray Library, don’t you.’”

“A programme of monthly talks was quickly established. To begin with, most of the speakers came from the membership, and the talks tended to have a strong local or Perthshire interest. The pool of speakers gradually widened, as did their subject matter. We learned about cheese, and chocolate, and bees. About the men who built the Hydro dams and tunnels. About the Scots translation of Shakespeare’s Scottish play. About the Enlightenment – two very different views some years apart, one from Magnus Linklater… and the other from David Purdie… Other prominente joined our speaker’s list:… Willie Prosser, then Lord President of the Court of Session. He was followed, in no particular order by Sir William Macpherson of Cluny…; Lord Elgin; the Duke of Montrose; Sue Black; James Robertson; Jim Naughtie; Sandy McCall Smith; and most recently, Donald Findlay and Val McDermid.” Here, “Sandy McCall Smith” may be more well-known to readers as Alexander McCall Smith.

“Tony Murray adapted a fascinating Jacobite correspondence from the Dollerie archive into a dramatic reading. We heard about the construction of the V&A in Dundee; about Dundee’s mediaeval importance as one of the Baltic ports; about the Gask Ridge excavations; the Stone of Destiny; Tacitus’ life of his father-in-law Agricola; and on one exceptionally lengthy evening the branch railway lines of Upper Strathearn.” Jean Ann proceeded to outline the FOIL talks’ history of hospitality – with wine and nibbles being a foundational pre-talk tradition continued to this day, often due to the generosity of FOIL members.

“A FOIL newsletter was also quickly established, initially edited – and largely written – by Logan Mitchell… Under Maureen Nicholson’s later editorship, it continued to give the members a lively view of our activities, with the occasional submitted article.”

Musical and dramatic events have also been a staple of FOIL activities throughout the years. “A group from Kirriemuir… gave us a recital of Lady Nairne’s Jacobite songs. Peter Davenport brought his jazz band. The Really Terrible Orchestra came from Edinburgh. Crieff Drama Group performed excerpts from Shakespeare. Jess Smith gave us an evening of songs and stories. We had recitals From Chansons and from the Roseneath Singers. And in 2000, the first Carols at Innerpeffray started a Crieff Christmas tradition, with the Innerpeffray Singers under their founder and conductor Joan Taylor.”

Carols in Innerpeffray Chapel

Jean Ann also detailed the various trips that FOIL undertook, including visits to Monzie Castle, Gleneagles, Arniston House, Balcarres, Newton Castle, Ardvorlich, and Drummond Castle to name a few.

Most importantly, the charity achieved its chief aim: raising money for the Library. In the six years between 2007 and 2013, FOIL gave £68,150 – through a mixture of direct donation and also money spent on projects for the Library. Improvements have been made to the Schoolhouse connected to the Library, which houses many events and is a modern manifestation of the school that was also built by David Drummond, Lord Madertie. Three state-of-the art exhibition cases now sit in the ground floor of the Library, costing £13,211 and partly funded “by a very generous bequest from Irene McKechnie – she and her husband Ken were founder members of FOIL…”

“Another even more generous bequest from Dr Vera Coutts has since funded the improvement and extension of the car park and the installation of the external lights between the car park and the Library.”

“The very first of our projects was actually carried out free of charge. My husband [Jack Scott Miller] provided a second-hand Zip water heater for the Library loo, and Ray Baird fitted it.”

Throughout the talk, it was evidently clear that the passion, dedication, kindness and generosity of the members of FOIL over the past thirty years has not only kept the Library in incredible condition, but has also allowed the Library to adapt to the leaps and bounds of modernisation, keeping the books protected with the latest technology and allowing Lord Madertie’s vision to remain by preserving these incredible resources to be handled by visitors and volunteers alike.

Jean Ann concluded with the following:

“And that, Friends, is the answer to the question ‘Why FOIL?’ I hope this canter through most of our first 29 years of life will encourage all FOIL members here tonight to renew their subscriptions on time, to support the Committee by attending talks, events, and outings, to bring visitors to the Library and to encourage membership, and that any non-members will pick up a membership form and join. It is not over-egging the pudding to say that without FOIL, the Library could well have been lost. FOIL still has a vital role.

There’s something to add – “Being a Friend of Innerpeffray Library” means something else. It means using the Library as Lord Madertie meant it to be used. It means going to the Library and learning about the books and from the books. There are several ways to start this process. You can step through the door, turn yourself three times in a clockwise circle, point at the nearest book, and see what hares is starts running.”

Throughout the talk, Jean Ann highlighted a number of incredible books that hide away in the vast shelves of the building; their secrets bound in brown and beige leather, while their weathered pages call out to be touched and turned, the black swirls of countless different fonts enticing visitors to dive into infinite realms of discovery. A bibliography has been compiled at the end of this blog for the interest of readers, should you seek a place to begin with your visit.

Special thanks go to Frank Thomson and Louise Powell for providing photographs. John Hughes provided the figures regarding funding. Lara Haggerty, Keeper of the Books; Naomi Harvey, Assistant Keeper of the Books; and volunteer Gillean Ford provided a number of supportive facts. Sophie Wood compiled the presentation and provided technical support on the night of the talk.

Most of all, thanks go out to the audience members who attended the talk, members of FOIL whose continued support sustains the Library of Innerpeffray, and to you, the reader, who even in reading through our history and engaging with our website provides another layer to our story and allows us to reach an even wider audience.

Having had the privilege of working alongside Jean Ann Scott Miller and all of the Library staff, I have learned so much about the foundation of the Library of Innerpeffray, and the Friends of Innerpeffray Library Charity. At the end of this talk, the question that stayed with me was not “Why FOIL?” The question now remains: “Why not?”

For more information on how to become a Friend of Innerpeffray Library, please visit: https://innerpeffraylibrary.co.uk/friends-of-innerpeffray-library/

Bibliography:

Seven Good Reasons to join FOIL, Pamphlet, 2002-03

Portrait of William Drummond of Hawthorndern, in his The history of Scotland, from the year 1423. until the year 1542…, 1655.

William Drummond, Portrait

Some helpes to stirre up to christian duties, Henry Whitfield, 1634

Good thoughts in bad times. Together with good thoughts in worse times, Thomas Fuller, 1657

A vindication of the authority, constitution, and laws of the church and state of Scotland, Gilbert Burnet, 1673

The vvorkes of the most high and mightie prince, Iames by the grace of God, King of Great Britaine, France and Ireland, defender of the faith, James I, King of England, 1616

The history of this iron age: : vvherein is set dovvn the true state of Europe as it was in the year 1500, Jean-Nicolas de Parival, 1656

Medulla Historiae Anglicanae…, William Howell, 1681

Narrenschiff, Sebastian Brant, 1570

All the vvorkes of Iohn Taylor the water-poet: Being sixty and three in number, Elizabeth Allde, 1630

The pleasant history of Lazarillo de Tormes a Spaniard…, Diego Hurtado de Mendoza, 1639

The noble art of venerie or hunting, George Gascoigne, 1611

Kriegskunst zu Fuß…, Johann Jacobi von Wallhausen, 1620

An institution of general history, or The history of the ecclesiastical affairs of the world…, William Howell, 1685

La cosmographie universelle de tout le monde…, Sebastian Munster, 1575

Les CL. Pseaumes de David, Bible, 1567

Speculum Mundi…, John Swan, 1635

Robert Hay Drummond, Portrait

South Exterior of the Library, Sophie Wood, 8th April 2022

Arthur Hay Drummond, Portrait

Christine Wallace, Janet Saint Germaine, Dr Alistair Kennedy, Robert Wallace, Photograph from Album

Questiones in quattuor libros Sententiarum, John Duns Scotus, 1476

A Man in My Position, Norman MacCaig, 1969

Innerpeffray Library register of borrowers, 1904

Mortification of Library of Innerpeffray, 1953

FOIL Facts, Newsletter, April 2000

New Artzney Buch, Christof Wirsung, 1617

Scotorum Historiae, Hector Boece, 1527

Scotorum Historiae, Translated by John Bellenden, 1540

The firste volume of the Chronicles of England, Scotlande, and Irelande, Raphael Holinshed, 1577

The lives and characters of the most eminent writers of the Scots nation…, George Mackenzie, 1708-22

The history of the affairs of church and state in Scotland…, Robert Keith, 1734

The history of Scotland : during the reigns of Queen Mary and of King James VI. till his accession to the crown of England, William Robertson, 1761

The history of the reign of the Emperor Charles V, William Robertson, 1769

A collection of voyages and travels, some now first printed from original manuscripts, Compiled by Awnsham Churchill and John Churchill, 1704

A collection of photographs provided by Jean Ann Scott Miller, Frank Thomson, Louise Powell and the Innerpeffray Library Archive

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J. Cuthbert Hadden: “Master of the Song”

“In short, in regard to music, our great writers have been just like other people—some have been passionately fond of music, some have liked it in a mild kind of way, and some have been absolutely indifferent to it.”[1]


Black and white photograph of James Cuthbert Hadden in a suit and bowtie.
Portrait of the author J. Cuthbert Hadden in one of the last
books he published before his death in May 1914.[2]

James Cuthbert Hadden (1859-1914) was a Scottish litterateur and “Master of the Song”[3] who balanced his twin loves of music and literature throughout his life, publishing a myriad of articles, biographies and books while working as an organist in Aberdeen, Crieff, and Edinburgh.[4] Hadden was born in Banchory-Ternan, near Aberdeen, on the 5th September 1859, and by the age of 14 was working with Aberdonian booksellers A. & R. Milne and singing in his local choir. In 1878, at the age of 18, Hadden moved to London to work at the Routledge publishing house, spending his workdays in the literary world and his evenings and weekends practising his skills with the piano and organ. Returning to Scotland due to illness after only three years in London, Hadden “thought no more of bookselling” and “determined to be a musician,” taking up work as an organist first in Aberdeen and then Crieff.[5] He stayed at Mannofield Parish Church for only a few months before moving south to work as organist and choirmaster under the Reverend Dr. Cunningham at St. Michael’s Parish Church, Crieff, where he remained for the next ten years.


Red Crieff Heritage Trail plaque for St Michael's Church Hall - 1786.
Crieff Heritage Trail Plaque, St. Michael’s Parish Church, Crieff[6]

While in Crieff, Hadden met and married his future wife, Elizabeth Couper Gordon (1863-1929), and led a busy life both musical and literary. Particularly interesting given my research on the Innerpeffray visitors’ books, Hadden was very concerned about the musical reputation of Crieff to its summer visitors and tourists. In 1890, the last year he spent in Crieff before moving to Edinburgh, he praised the “vigorous and flourishing” Perthshire Choir Union, which had held its annual festival in St. Michael’s.[7] He also wrote a rebuttal to a gentleman who had visited Crieff during the summer and found its music scene wanting:

“Mr. J. Spencer Curwen has thrown a bomb-shell into the Scottish organists’ camp. […] I feel sore, because he has not come to judge our work at the right season. A summer visit creates a false impression, for our choirs are then deprived of many of their best singers, most of our organists have deputies on their stools, and there are of course no rehearsals for the preparation of the Sunday music. The winter is the time to find us at our best.”[8]

Somewhat opposing what he wrote in October 1890, Hadden’s 1910 biography in The Musical Journal suggests that, at least in St. Michael’s, Hadden kept his choir rehearsing throughout the entire year:

“There was an excellent musical service, for the best voices in the town were heard in that choir, and Mr. Hadden had a free hand under the broad-minded minister. Crieff being a resort for holiday makers, special attention was given to the music during the summer, so the weekly choir practice was kept going all the year round. Frequent organ recitals were given, and words of appreciation were often heard from the visitors.”[9]

It is true that the 1910 biography of Hadden is far from objective, written many years after Hadden worked in Crieff, with his full cooperation and by someone who “highly value[d] his friendship” and would not have wanted to risk insulting his subject.[10] Nevertheless, whether Hadden did or did not keep his choir rehearsing all year, it is certainly interesting to think about the musical experience that visitors to Innerpeffray may have had if they stayed in Crieff during their travels.


Handwrittten signature
‘J. Cuthbert Hadden, organist Crieff’ Library of Innerpeffray Visitors’ Book Vol. 1, f.77r

Crucially, while living and working in Crieff between 1881 and 1891, Hadden visited the Library of Innerpeffray on five occasions! The first record of his signature in the Innerpeffray visitors’ book is from Saturday 24th September 1887, when he visited with his wife, ‘Mrs Hadden’. Two additional visitors are recorded as having been to Innerpeffray that day, ‘R. C. Kay’ and ‘Miss Black’, but due to the lack of information provided (no locations or occupations; only initials and/or title rather than full names) I have not been able to ascertain if they were all part of one visiting party or simply all visiting the library on a Saturday.


Three signatures of visitors to Innerpeffray Library
Library of Innerpeffray Visitors’ Book Vol. 1, f.75v

Hadden’s second visit to Innerpeffray, the following year, was as part of a larger group of visitors from Crieff, with two additional visitors normally resident in Cambuslang, Lanarkshire but perhaps staying in Crieff for a holiday. As opposed to the example above, it is evident that at least the first six named visitors were all travelling together – the first three names are clearly written in the same hand and the signatures of Annie and Mary McCormick are bracketed by those of Mrs. Hadden, above, and Mr. Hadden, below. What is less clear from this page is whether the two signatures following Hadden were part of the same travelling party. It appears as though the first seven entries on the page were all entered on Saturday 26th May, with the following signature, that of Albert Lister Peace – Glasgow, entered on Thursday 14th June.


Signatures in the Innerpeffray Library visitors' book - May 26th-June 14th 1888
Visitors to the Library of Innerpeffray, 26th May – 14th June 1888
Innerpeffray Visitors’ Book Vol. 1, f.77r

Were this any other signature, I would have accepted this as fact and continued on without making any comment. However, Dr. Albert Lister Peace (1844-1912) was also an organist – and quite a famous one! Peace reportedly started learning how to play the pianoforte at the age of six and only three years later, at nine years old, became the resident organist of his local church in Huddersfield. Between 1865 and 1897, he worked as the organist for the University of Glasgow, Glasgow Cathedral and St. Andrew’s Hall (now the Mitchell Library). Throughout his career, Peace performed at numerous renowned venues around the United Kingdom, including the Crystal Palace in London (1882), Canterbury Cathedral (1886), Liverpool World’s Fair (1886), and Westminster Abbey (1909).[11]



Additionally, there is evidence to suggest that Hadden and Peace knew each other. In the September 1890 edition of his monthly column, ‘Music in the Scottish Churches’, Hadden indicated that he had learned the following news from Peace and that he had seen him perform more than once:

“A new organ, built by Forster & Andrews, to the specification of Dr. Peace, has been opened in Bothwell Parish Church, near Glasgow. Dr. Peace inaugurated the instrument, playing brilliantly as usual.”[13]

Indeed, I think it is fair to say that Hadden held great respect for both his fellow organist and their chosen instrument – in December 1897, he described another performance:

“I have heard Dr. Peace take the great D major fugue of Bach on a large organ with a full and quick-speaking pedal at what could only be called a terrific rate. The effect was positively electrifying.”[14]

With all of this in mind, it seems fairly unlikely, or at least curious, that Peace would have visited Innerpeffray separately from Hadden, and too big of a coincidence to have his signature two entries below Hadden’s, despite the date indicating that it is two weeks later. At the top of the page, it is clear that there had already been some confusion with the date, with ‘August’ crossed out and ‘May’ written above it. Perhaps there was indeed some misunderstanding with what the date was, and Peace did accompany the Haddens. Perhaps it was just happenstance and Peace visited Innerpeffray separately, only to realise that Hadden had visited two weeks ago. It may also be possible that Hadden visited with the initial travelling group on the 26th May, and when he returned to Innerpeffray with Peace two weeks later, on the 14th June, didn’t want to repeat his signature on the same page. There are countless situations which could have led to these entries in the visitors’ book – and I will probably never find out what actually happened. But the story doesn’t end there, because it happened again a month later!


Signatures of three visitors to the Library of Innerpeffray
Visitors to the Library of Innerpeffray, 11th-12th July 1888
Innerpeffray Visitors’ Book Vol. 1, f.77v

On Wednesday 11th July 1888, Hadden visited the Library of Innerpeffray for a third time, accompanied by his wife, Elizabeth, and his father, James Hadden (1838-1892).[15] And again, another organist signed their name in the visitors’ book – in this instance, apparently a day later. Though John William Davis Pillow (1851-1902), from Landport. Portsmouth, Hants, was not as famous or well-travelled as Albert Lister Peace, it is possible to discover that he was an English organist and conductor who worked primarily in and around the south coast of England. In his youth, Pillow sang in the choir at Chichester Cathedral, where he was taught by resident organist Edward H. Thorne before moving onto his own post at St. Pancras Church, Chichester. In 1889, he served as the director of the Portsmouth Musical Association and in October of that year, he inaugurated the new organ at St. Mary’s Church, Portsea, where he remained as resident organist until 1901.[16] As with the example above, there could be numerous reasons why J. W. D. Pillow visited the Library of Innerpeffray the day after the Hadden family, rather than with them. I could not find any documents suggesting that Pillow and Hadden necessarily knew each other, so perhaps it really is a coincidence. Maybe the ‘12’ next to Pillow’s name was incorrectly placed, meaning to refer to the entry below. In all probability, I will never know the answer – perhaps the contiguous visits were simply serendipitous. But it’s weird that it happened twice.


Signatures of visitors to the Library of Innerpeffray
Library of Innerpeffray Visitors’ Book Vol. 1, f.78v

Later in the summer, on Saturday 4th August 1888, the Haddens again visited the Library of Innerpeffray and brought along additional visitors. Although thus far I have not been able to track down Miss H. N. Bell from Crieff or Mr and Mrs John Garrett from Hamilton, Canada, I cannot rule out the possibility that they, too, were organists!


Signatures of visitors to the Library of Innerpeffray
Library of Innerpeffray Visitors’ Book Vol. 1, f.82r

Finally, on Saturday 20th April 1889, J. Cuthbert Hadden visited the Library of Innerpeffray for the last time, accompanied by two of his fellow gentlemen from Crieff (who do not appear to be organists). In the summer of 1889, the couple moved to 4 Argyle Park Terrace, Edinburgh, where Hadden took up post as organist at St. John’s Parish Church, staying there for twelve years before he is said to have “abandoned music in favour of literature”.[17] In fact, Hadden had been increasingly engaged in “pen work” since 1885, while still in Crieff – he regularly contributed to the Dictionary of National Biography (writing more than 120 entries); wrote a monthly column for The Musical Journal, edited the Scottish Musical Monthly for two years, and published seven books before the turn of the century.[18] By the time Hadden died on the 2nd May 1914, only 54 years old, he had written a further twenty books and was regularly struck by a “great hunger” to perform again.[19]


Although it is not possible for us to hear J. Cuthbert Hadden play the organ, we can read his writing – the Library of Innerpeffray holds a copy of one of Hadden’s books, Thomas Campbell, part of the Famous Scots series and dedicated to his wife.[20]


And in closing, here are two of my favourite anecdotes from his monthly columns. A flying Bible and a sleeping chorister:

“In a Kirriemuir (Forfar) Church the other Sunday a woman is said to have hurled her Bible from the gallery where she was sitting at one of the male members of the choir who had fallen asleep!”[21]

And tales of shock and outrage in Crieff (more research required!):

“One clergyman at Crieff, as he ascended the pulpit-stairs, peremptorily ordered a lady sitting in the choir pew to leave the church. The lady left as requested, and a considerable number of the congregation with her; the precentor sent in his resignation; and now the minister has been sued for £50 damages and a public apology. I trust the law will give the lady both the money and the apology.”[22]

Isla Macfarlane, PhD Student


[1] J. Cuthbert Hadden, ‘R. L. S. and Music’, Glasgow Herald, 21 April 1900, p. 9.

[2] J. Cuthbert Hadden, Modern Musicians: A Book for Players, Singers and Listeners (Edinburgh: T. N. Foulis, 1914).

[3] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal, 5.58 (1892), 151–52 (p. 151).

[4] Hadden’s date of birth is much contested and appears incorrectly in a variety of locations and formats, with some websites listing his year of birth as 1816 and (perhaps optimistically?) adding 43 years to his life. Based on his entry in the 1564-1950 Scottish Births and Baptisms register (accessed through Ancestry), James Cuthbert Hadden was born on 5th September 1859. This birthdate is backed up by census entries in the following years, where he was recorded as being one in the April 1861 census and eleven years old in the census of 1871. Additionally, a biography of Hadden which appeared in The Musical Journal in 1910 (plainly written up after an interview and with his full cooperation, given phrases such as “Mr. Hadden tells me” (p.227)) further confirms this birthdate, telling us that “[w]hen he went to London in 1878,” he was “a lad of 18”. Furthermore, several contemporary obituaries published after Hadden’s death in 1914 also note that he died “aged 54”, further confirming his year of birth as 1859.

[5] Broad Nib, ‘Mr. J. Cuthbert Hadden.’, The Musical Journal, 23.274 (1910), 225–27 (p. 226).

[6] Colin Mayall, ‘St Michael’s Church Yard 1972 Survey of Gravestones’, PerthshireCrieffStrathearn Local History, 2015 <https://perthshirecrieffstrathearnlocalhistor.blogspot.com/2015/03/st-michaels-church-yard-1972-survey-of.html> [accessed 15 February 2022].

[7] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal, 3.32 (August 1890), 124–25 (p. 125).

[8] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal,3.34 (October 1890), 156–57 (p. 156).

[9] Nib, p. 226.

[10] Nib, p. 227.

[11] ‘Peace, Albert Lister, (26 Jan. 1844–14 March 1912), MusDoc Oxon’, in Who’s Who & Who Was Who (Oxford: Oxford University Press, 2007) <https://doi.org/10.1093/ww/9780199540884.013.U189766> [accessed 7 December 2021].

[12] St. Andrew’s Halls (Glasgow: Wilson Advertising Company, 1907), Mitchell Library, Theatre Collection; Glasgow City Council.

[13] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal, 3.33 (September 1890), 132–33 (p.133).

[14] J. Cuthbert Hadden, ‘Passing Notes’, The Nonconformist Musical Journal, 10.120 (December 1897), 184–85 (p. 185).

[15] On the 11th July 1888, James Hadden (senior) listed his place of residence as Aberdeen and was clearly in Crieff visiting his son and daughter-in-law, but just twenty days later, on the 31st July 1888, he was admitted to the Dundee Royal Asylum. Over the next four years he moved between the Old Machar Poorhouse and Aberdeen Royal Asylum, where he died of TB on 14th July 1892. ‘General Register of Lunatics in Asylums: Dundee Royal Asylum, Angus’, (Edinburgh: NRS Mental Health Records, 1888), p. 460 <https://www.scottishindexes.com/hentry.aspx?hid=646021> [accessed 16 February 2022]; NRS Reference MC7/6.

[16] W. B. Henshaw, ‘John William Davis Pillow’, Biographical Dictionary of the Organ; ‘History of the Organ’, The Organ Project.

[17] ‘Hadden, J. Cuthbert, Litterateur.’, in Who’s Who & Who Was Who (Oxford: Oxford University Press, 2007).

[18] Nib, p. 227.

[19] Nib, p. 227.

[20] J. Cuthbert Hadden, Thomas Campbell, Famous Scots (London: Oliphant, Anderson and Ferrier, 1899).

[21] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal, 4.41 (May 1891), 68–69 (p. 69).

[22] J. Cuthbert Hadden, ‘Music in the Scottish Churches’, The Non-Conformist Musical Journal, 4.37 (January 1891), 4–5 (p. 5).